Giorgio De CHIRICO - Collezionisti americani. Signed autograph manuscript.

Giorgio De CHIRICO (1888.1978)

Autograph manuscript signed – Collezionisti americani.

Six pages (five folio and one quarto) on lined or squared paper.

Undated [circa 1950]

Remarkable working manuscript, in Italian, of an article devoted to the art market.

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Giorgio de Chirico denounces the modernist dictate of rue de la Boétie and its hold on the American market: Ma non alla sola Nuova York si è limitata l'attività dei mercanti francesi e dei loro soci d'oltreoceano. Filadelfia, Washington, Chicago, San Francisco and, later Los Angeles and the other center, its state is all about the modern status of its Consiglio Supremo ha la sua sede in Paris, nelle rue la Boëtie. 

One of the only regions to have resisted the “assaults of modernism” is Texas: Gli abitanti del Texas sono veramente eroici. Essi, before all international snobismo, hanno il grave torto di amare la buona pictura e soltanto la buona pictura. In Fatto di Scuola Francese amano the opera of David, of Ingres, of Delacroix, of Courbet, of Géricault and finally arrived at Renoir che, in France, it was the last picture of this name.

While the United States was fond of 19th century German painting ^, French merchants, like conquistadors, have been campaigning for half a century to relegate it to basements or, for slightly better treated artists like Böcklin and Lenbach, in the corridors and staircases: What you can see in person when in 1937, in New York, I saw a beautiful quadro di Böcklin that was attacked, in the Metropolitan Museum, alla parte fiancheggiante la scala che conduceva al sottosuolo; but it was only then that the floor of the floor of the museum was placed in a light and it would be almost impossible to see it.

Chirico then looks at the case of his first collector in the United States, Doctor Albert Barnes (1872-1951) of Philadelphia, who placed all his trust exclusively in the hands of Paul Guillaume: E mise a sua disposizione grossi capitali per l Acquisto di opera della “Scuola di Parigi”. Next is a specie from the Filadelfia Press Museum and the Battezzo: Barnes Foundation. The author of Barnes is ferociously misantropo and it is very difficult to visit his museum, because if the voice in America is scattered by the Barnes Foundation, his patron is an extremely rare operation that does not exist in any other way; Mentre invece vi si trova que solito campionaria di pictura modernista francese che ognuno può vedere nelle gallerie dei mercanti di Paris, di London, di Nuova York e di altri centri d'Europa e d'America.

To make sure I know the author Barnes, I don't think the Yankees are rich and it's important to allow him to visit his museum, invite you to visit his collection. My poiché egli capisce che il “tormento” et l’angoscia” of Cézanne’s painting, as is the “refined squisitazza” of the Arabs of Matisse, none of its elements are sufficient to indurre i discendenti di Cain visited the Barnes Fondation, il dottore Barnes fa loro sapere che, oltre alla contemplazione dei “capolavori” della Scuola di Parigi, sarà loro fatta anche un abundant distribuzione di bicchieri di rum , e di tazze piene di cococolata con panna accompaniada da brioches calde et saporite.